Published on the occasion of Christian Marclay’s major survey at the Centre Pompidou, Paris, this volume explores in depth his popular and influential multimedia art. From his early performances in the 1970s to his iconic Guitar Drag (2000) and large-scale video installations such as All Together (2018), Marclay has ranged freely across mediums—photography, modified musical instruments, videos, prints and paintings, objects and graphic scores—exploring auditory existence through strategies of sampling, shuffling and montage.
